{"id":838,"date":"2017-07-31T12:01:29","date_gmt":"2017-07-31T12:01:29","guid":{"rendered":"http:\/\/www.clipa.co.il\/?post_type=show&#038;p=838\/"},"modified":"2020-06-23T14:44:20","modified_gmt":"2020-06-23T11:44:20","slug":"neither-soft-nor-light","status":"publish","type":"show","link":"https:\/\/clipa.co.il\/en\/show\/neither-soft-nor-light\/","title":{"rendered":"Neither Soft Nor Light"},"content":{"rendered":"<p><strong>Neither Soft Nor Light<\/strong> | <strong>Premiere:<\/strong> 2015, Clipa Theater, Tel-Aviv<\/p>\n<p>\u201cMy creation stems out of my biography. It may derive from my religious education or the fact that I served in the army as a combat soldier, and it may simply be that I grew up in a family of 11 children and therefore I keep choosing to stand in the opposition. I am constantly drawn to the winding paths and the unpaved roads. I turn to the dance with a prayer to heal by it, to shake out old pains, to create a new context for my being and to exercise my freedom and spread the faith\u201d.\u00a0<\/p>\n<p><strong>Duration<\/strong>: 55 minutes<\/p>\n<p><strong>Creator and performer:<\/strong> Dror Liberman | <strong>Artistic direction:<\/strong> Idit Herman | <strong>Choreographic consultation:<\/strong> Asher Ben-Shalom | <strong>Concept developmant partner:<\/strong> Netta Wieser | <strong>Rehearsal direction:<\/strong> Kazuyo Shionoiri | <strong>Production:<\/strong> Clipa Theater, Suzanne Dellal Centre for Dance and Theatre<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Press<\/p>\n<p><\/strong>&#8220;This is probably the most transparent and revealing form of theater you have ever seen. Liberman communicates with unmediated honesty&#8221; &#8211; Avisai Huri, Bamahane<strong><br \/>\n<\/strong><\/p>\n<p>\u201cIt\u2019s not every day that you get to see a fresh, young talent, with an honest thing to say [&#8230;] A show with no dull moments\u201d &#8211; Ruth Eshel, <a href=\"https:\/\/www.haaretz.co.il\/gallery\/dance\/review\/.premium-1.2734030\">Haaretz<\/a><\/p>\n<p>\u201cThe work\u2019s power is in the Liberman\u2019s sensitivity of motion, a wonderful, born abily that cannot be forged\u201d \u00a0&#8211; Anat Zecharia, <a href=\"http:\/\/anatzecharia.com\/?p=4334\">Hamvakeret<\/a><\/p>\n<p>\u201cA very strong performer, with theatrical and athletic abilities, that managed to put up an interesting work, extraordinarily personal and specific [&#8230;] It creates a response and an involvement that cannot be ignored\u201d &#8211; Ora Brafman, <a href=\"http:\/\/www.dancetalk.co.il\/?p=2005\">DanceTalk<\/a><\/p>\n<p>\u201cDror Liberman\u2019s touching work, proves how much this country\u2019s culture, and his family\u2019s, is not only etched deep in his soul, but embedded in his muscles, skin and gestures &#8211; unrelentingly\u201d &#8211; Idit Suslik, <a href=\"http:\/\/www.mouse.co.il\/shows\/reviews\/1.3258649\">City Mouse<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neither Soft Nor Light | Premiere: 2015, Clipa Theater, Tel-Aviv \u201cMy creation stems out of my biography. 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